Prompty do wideo AI: 20 przykładów z wynikami (Wan 3.0)

Three-shot sequence with hard cuts. Shot 1: extreme close-up of hands grinding coffee beans, grounds falling. Shot 2: a young barista with curly hair laughs while handing a cup to a customer across the counter. Shot 3: wide view through the cafe window, cyclists and pedestrians passing in morning sun. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Gritty documentary in an old boxing gym, three shots with hard cuts. Shot 1: close-up of hands wrapping red hand wraps tight. Shot 2: a young woman boxer throws a fast combination into a heavy bag, the bag swings, chains rattle. Shot 3: she sits on the ring apron catching her breath, sweat on her face, window light from the side. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Energetic music-video style, three shots with hard cuts. Shot 1: two friends dance on a city rooftop at sunset, handheld camera circling them. Shot 2: close-up of sneakers stepping in rhythm on tar paper. Shot 3: wide silhouette of both dancers against the orange sky and city skyline. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Documentary sequence in a small Polish milk bar, three shots with hard cuts. Shot 1: a middle-aged cook flips pierogi in a hot pan, butter sizzling, steam rising. Shot 2: close-up of onions browning, a spatula moving fast. Shot 3: a customer at a formica table takes the first bite and smiles. Warm tungsten light. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Lifestyle sequence, three shots with hard cuts. Shot 1: point of view cycling fast through an autumn park, leaves on the path. Shot 2: low angle, wheels kick up yellow leaves. Shot 3: a young woman on the bike turns to the camera and laughs, scarf flying. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Craft documentary, three shots with hard cuts. Shot 1: wet clay spinning on a pottery wheel, muddy fingers pull up the wall of a bowl. Shot 2: a bearded potter in an apron checks the rim and smiles to himself. Shot 3: a row of finished unglazed bowls on a wooden shelf, dust in the window light, static camera. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Music video in a small packed club, three shots with hard cuts. Shot 1: close-up of a young female singer with a microphone, sweat on her face, red and blue stage lights behind her. Shot 2: the crowd jumps with phones in the air, haze catching the beams. Shot 3: the guitarist steps into a white spotlight and hits a chord, handheld camera shaking with the beat. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Cinematic night scene, three shots with hard cuts. Shot 1: a tired truck driver in a flannel jacket fills up at an empty gas station at night, fluorescent canopy light. Shot 2: inside the shop he pays for a paper cup of coffee, the cashier nods. Shot 3: wide shot of the truck pulling away into the rain, red tail lights on wet concrete. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Three-shot sequence with hard cuts. Shot 1: low angle, a golden retriever sprints along the beach straight toward the camera, sand flying. Shot 2: the dog shakes off sea water, droplets sparkling in afternoon sun. Shot 3: the dog leaps and catches a tennis ball mid-air, waves behind. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Funny home-video moment, three-shot sequence. Shot 1: a ginger cat on a cluttered desk slowly pushes a pen toward the edge with its paw. Shot 2: the pen falls and a human hand catches it just in time. Shot 3: close-up of the cat staring straight into the camera, unimpressed. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Nature documentary, three shots with hard cuts. Shot 1: wide view of a herd of horses trotting across a misty meadow at dawn. Shot 2: close-up of a horse's nostrils breathing out visible vapour in cold air. Shot 3: a foal runs to catch up with its mother along a wooden fence, telephoto lens. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Wildlife moment, two shots with a hard cut. Shot 1: a barn owl perched on an old wooden beam in a dusty barn slowly turns its head toward the camera, light rays through the planks. Shot 2: the owl spreads its wings and takes off silently through the barn door into the evening field. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

The dessert from Image 1 must look exactly like in the photo. Three-shot sequence with hard cuts. Shot 1: macro, a spoon breaks into the dessert from Image 1, crumbs fall onto the plate. Shot 2: a waiter's hand places the plate with this dessert on a marble cafe table by the window. Shot 3: over-the-shoulder, a woman lifts the first spoonful while talking with a friend, the dessert in the foreground. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Product film for a running shoe, three-shot sequence with hard cuts. Shot 1: macro of hands pulling laces tight on a white running shoe. Shot 2: a runner's feet hit wet asphalt at night, water splashes under a streetlight. Shot 3: the same shoe resting on a concrete step under orange street light, static camera. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Skincare product film, three shots with hard cuts. Shot 1: macro of a glass dropper releasing one drop of serum onto a fingertip. Shot 2: a woman in her thirties applies it to her cheek in a bathroom mirror, natural daylight, real skin texture with pores. Shot 3: the small amber bottle on a sink edge next to a plant. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Street food sequence at night, three shots with hard cuts. Shot 1: flames lick a smash burger patty on a flat-top grill, a spatula presses it down. Shot 2: hands quickly assemble the burger with melted cheese and pickles and wrap it in paper. Shot 3: a man in a hoodie takes a big bite next to the food truck, string lights behind him. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Real estate walkthrough, three shots with hard cuts. Shot 1: a hand opens the front door and the camera steps into a bright living room with wooden floor and big windows, smooth handheld gimbal at walking speed. Shot 2: close-up of a kitchen counter, morning sun on a stone worktop, a kettle and a bowl of lemons. Shot 3: the balcony door opens to a view of green trees and city roofs. Natural daylight only. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Car commercial at night, three shots with hard cuts. Shot 1: a hand wipes rain off the chrome badge-free grille of a dark green classic coupe. Shot 2: the headlights switch on in a dim garage, dust in the beams. Shot 3: the car rolls out of the garage into light rain, wet asphalt reflecting the street lamps, static camera. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Minimalist experiment. A single drop of black ink falls into a clear glass of water on a white table against a white wall, it blooms into soft curling clouds in real time, locked-off static camera, soft overcast daylight, lots of empty space. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.

Minimalist still-life. A single handmade ceramic vase on a linen tablecloth by a window, the shadow of leaves gently moving across the plaster wall, locked-off static camera, muted earthy palette, quiet and calm. Shot on 35mm film with natural grain, real-world imperfect lighting, realistic skin and material textures, handheld documentary camera, real-time speed, no slow motion, no glossy CGI look, no oversaturated colors, no text, no subtitles, no logos.